Whilst it's clearly not impossible for this to be Audition's fault, whatever it is still needs to be isolated, and that's going to need some more checking on your part, I'm afraid. It might be useful though to test the interface with some other software - preferrably ASIO-based just to see what happens. I've heard about one instance where turning off hyper-threading appears to have improved UA performance, but that seems to be a little extreme. Audition is notoriously good at recording exactly what's sent to it, but if, for any reason that gets compromised then we're in different territory. If you do a search, you'll find that plenty of people have had similar problems with UA interfaces - it's not that rare. What do UA recommend as a suitable DAW?īut the other thing is that it's Thunderbolt, and that's still slightly unknown territory. The prime culprit here is M-audio - their drivers are primarily intended to run with ProTools, and their ASIO driver appears not to be up to scratch at all. It got you off the phone, though.Īsk yourself this if just about every other interface on the planet works fine with Audition, both on Macs and PCs, why is it even likely to be Audition's fault? More interesting to ask which other ones don't, and why. Although not officially endorsed by UA, the Apollo Twin USB works flawlessly with my ASUS AMD Ryzen laptop.I doubt whether he'll see this - the post is two and a half years old, and he shows very little forum activity.īut that said, I think that UA have just a bit of a cheek trying to blame Audition for something that sounds suspiciously like a driver failure. for certain singers, mics or guitars) and the option to sync the settings with your DAW with the console recall plugin and saving it with your session really shows that the product has been designed with the musician in mind. Note: In the Multitrack Editor, you can override the defaults for specific tracks.
Choose a Default Input and Output from the card. From the Device Class menu, choose the driver for the sound card you want to use. This kind of workflow makes it highly inspiring - whether you use the effects just for monitoring or print them on the track while recording or later - it's all your choice. Choose Edit > Preferences > Audio Hardware (Windows) or Audition > Preferences > Audio Hardware (Mac OS). Using a vocoder with your midi keyboard and hear the results without delayed voices in your head? That's where the Apollo really shines. Want to hear your guitar with cabinet simulation and be inspired by real time echo and modulation? No problem at all. The feature that makes Apollo Twin USB a real game changer are the realtime monitoring capabilities without the use of external gear: want to provide a mix ready monitoring "zero-latency" signal for vocals with compressor, EQ and reverb while at the same time recording a dry signal to the DAW? No problem.
I have used many audio interfaces ranging from budget to professional levels. It really makes a difference - probably much more than you initially think
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